Can Statistical Language Models be used for the Analysis of Harmonic Progressions?
نویسندگان
چکیده
The availability of large, electronically encoded text corpora and the use of computers in recent decades have made Natural Language Processing (NLP) a flourishing research area. A wealth of standard techniques has been developed to serve use cases like document retrieval, identification of a finite vocabulary and synonyms, and the collocation of terms. Similarly, social networking among musicians in internet forums and the advent of automatic chord extraction have led to the establishment of chord databases, if on a smaller scale. Comparatively little research has been carried out on these growing corpora of chords. We suspect that one reason for this lack of research lies in the difficulty to decide if chords or other harmonic elements can be treated like lexemes in a text corpus. More simply, the question is: What is a word in terms of harmony? In this paper we propose a bottom-up approach. In order to find harmonic units whose distributions resemble distributions of words we consider chord elements differing in (a) length of chord sequence (counted in chord symbols), and (b) chord alphabet. Using lengths from 1 to 4 and two different chord alphabets we obtain a parameter space of size 8. For each of the parameter settings we compute statistical summaries of the resulting frequency distribution of the harmonic unit. As results, we report the parameter settings for two different chord corpora (2500+ songs each) that generate a frequency model corresponding most closely to the Brown Corpus, a general text corpus of American English.
منابع مشابه
A Robust Parser-Interpreter for Jazz Chord Sequences
Hierarchical structure similar to that associated with prosody and syntax in language can be identified in the rhythmic and harmonic progressions that underlie Western tonal music. Analysing such musical structure resembles natural language parsing: it requires the derivation of an underlying interpretation from an unstructured sequence of highly ambiguous elements— in the case of music, the no...
متن کاملStatistical Parsing for harmonic Analysis of Jazz Chord Sequences
Analysing music resembles natural language parsing in requiring the derivation of structure from an unstructured and highly ambiguous sequence of elements, whether they are notes or words. Such analysis is fundamental to many music processing tasks, such as key identification and score transcription. The focus of the present paper is on harmonic analysis. We use the three-dimensional tonal harm...
متن کاملUsing Context-based Statistical Models to Promote the Quality of Voice Conversion Systems
This article aims to examine methods of optimizing GMM-based voice conversion systems performance in which GMM method is introduced as the basic method for improvement of voice conversion systems performance. In the current methods, due to using a single conversion function to convert all speech units and subsequent spectral smoothing arising from statistical averaging, we will observe quality ...
متن کاملThe Relationship Between Acoustic Characteristics and Personality Dimensions in Patients With Dysphonia
Objectives: Voice is influenced by personality. However, it is still questionable which acoustic features are influenced by personality traits. This study aimed to investigate the relationship between acoustic characteristics and personality dimensions. Methods: Thirty-three participants with dysphonia and 33 participants without dysphonia were recruited to take part in this cross-sectional st...
متن کاملA new model for persian multi-part words edition based on statistical machine translation
Multi-part words in English language are hyphenated and hyphen is used to separate different parts. Persian language consists of multi-part words as well. Based on Persian morphology, half-space character is needed to separate parts of multi-part words where in many cases people incorrectly use space character instead of half-space character. This common incorrectly use of space leads to some s...
متن کامل